I investigate when something becomes art and which infrastructures facilitate, recognise, or capture it.
I work across three articulated fields: transdisciplinary artistic creation, cultural mediation, and research into the ontology of art. In 2021, I co-developed a professional digital art appraisal protocol for Afundación-Abanca. I have published the theoretical framework Art as Structural Surplus and, with Adolfo Cortés García, Recognition and Surplus, both with DOIs on Zenodo. I chair the Kripties Foundation, which is dedicated to social inclusion through art.
Highlights
Public Notebook
An independent research space concerning contemporary issues. Data-driven analysis of relevant topics that merit a divergent and rigorous perspective:
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Latest entries
- Evictions and squatting: what the figures behind the Maricarmen case really measure
- Art, childhood and technology: how children and adolescents learn to look and create
- Social media and visual education: what adolescents are taught to look at
- Youth in museums: genuine participation or decorative consultation
- Artificial intelligence in the art classroom: what a child learns when generating images
- Apps for classroom creation: data, accounts, and the rights of minors
Notes on Bluesky
ART Notes
Dreaming as a plea
This morning I woke with the idea that to dream is to ask for help when…The common good as an alibi
There are those who decide upon the lives of others, sometimes many, p…Reading live
Recalling Cela and the phrase he never said: it is not the same to be screwed …The reverse of the canvas
Behind a painting lies a world that no one observes: the wood of the stret…What fits in the archive
A model that generates images has processed millions of paintings.…The correct distance
Every painting has a distance from which it is viewed well. Neither pressed against it,…










