Illustration of Juan Esteban’s runic monogram rendered in a three-dimensional architectural style within a frame, set against a light background.

Preparing an exhibition: from project to deinstallation

Preparing an exhibition involves curatorial, technical, legal, financial, and accessibility decisions. This page outlines the process and directs you to specialised resources; it does not repeat their procedures.

Define the project

Establish the purpose, works, audience, institution, space, dates, responsibilities, and constraints. Distinguish between the exhibition, catalogue, website, activities, and communication: they do not necessarily share the same rights or deadlines.

Verify feasibility

Review availability, condition, dimensions, installation, conservation, electricity, network, security, accessibility, personnel, and schedule.

Budgeting

Include fees, production, loans, rights, transport, insurance, installation, equipment, accessibility, communication, documentation, deinstallation, and contingencies.

Rights and loans

Exhibiting an object does not necessarily authorise its reproduction. Identify rights holders, terms, duration, territory, and credits. Formalise the loan, condition, insurance, transport, imagery, cancellation, and return.

Transport and condition

Record the condition before packing, upon receipt, during installation, and upon return. Coordinate handling, routes, responsibilities, and contingencies.

Hanging and mounting

Translate the project into floor plans, sequences, supports, lighting, sound, electricity, network, and circulation. For digital works, prepare copies, equipment, accounts, and offline behaviour.

Information and accessibility

Prepare labels, texts, and resources based on the design and budget. Consult the guides on comprehensible labels, easy-to-read and plain language, and accessibility for digital or interactive works.

Public, data, and AI

If registration, imagery, sensors, or AI are involved, define the information, legal basis, retention, and output.

Communication and catalogue

Distinguish between press, editorial reproduction, documentation, and social media. Verify credits, licences, and legal deposit or ISBN where applicable.

Opening and maintenance

Use the checklist of works, floor plan, responsibilities, tests, and condition reports. During the exhibition, record faults, replacements, and decisions. Do not alter a work without authorisation.

Deinstallation and return

Plan for shutdown, copies, packing, condition, return, data deletion or preservation, and account closure.

Evaluation and archiving

Retain the final list, plans, authorised photographs, incidents, publications, and versions. Evaluate the objectives defined at the outset, not merely attendance figures.

Checklist

  • Scope, responsibilities, and schedule defined.
  • Budget and contingency.
  • Rights and loans formalised.
  • Transport, insurance, and condition coordinated.
  • Installation, accessibility, and security tested.
  • Data and communication reviewed.
  • Deinstallation, return, and archiving planned.

Source of coverage


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