Author: Juan A. Esteban
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How to read an image licence and credit it
A museum offering an image for download does not mean you can use it for anything. How to read the rights statement of each file and how to credit it properly.
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Quotation and illustration for teaching: what Article 32 allows
The provisions of articles 32 and 39 of the Intellectual Property Act: quotation, teaching illustration, and parody, and the common points of failure in their application.
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How to request a licence and a quote from VEGAP
Should the author of a work be represented by VEGAP, permission for reproduction must be requested through that organisation. Details regarding the necessary information, the interpretation of quotations, and the procedure in the event of a failure to reach an agreement.
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Level 4
The Science Museum Group, which brings together some of the United Kingdom's leading science museums, had a rule for accepting funding from oil and gas companies. Its sustainability policy states that it works with financiers that are on a path to decarbonisation, and to verify this, it uses an external index, that of the Transition Pathway Initiative. To…
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Artist name, domain and trade mark
The name you sign with, the domain of your website and a registered trade mark are three different instruments. What each one protects and when it may make sense to register it.
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Artificial intelligence in exhibitions and institutions
El 57 % de los museos que respondieron una encuesta mundial de UNESCO e ICOM utiliza IA y el 55 % no tiene una política interna. Qué exige la ley y qué debe decidir una institución.
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Commissioning an artwork
Commissioning an artwork, or accepting a commission, works best with a written agreement. What it should say about the work, deadlines, price, changes and rights.
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Preserving a digital artwork
Qué conservar de una obra digital y cómo ordenarlo: separar archivo fuente, máster y copia de exhibición, organizar carpetas, nombrar y versionar archivos, comprobar la integridad y mantener copias independientes.
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An artist's archive and legacy
What happens to your works, your archive, your rights and your digital content when you are no longer here, and what you can decide now so that your legacy does not depend on chance.
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The scope of the grant
La exposición «La otra Transición vallisoletana», de Íñigo Varona, no abrió en el Palacio de Pimentel el 3 de septiembre de 2026. La muestra estaba montada; figuraba en la programación anual de la Diputación de Valladolid y procedía de una beca que la institución concedió en 2023 para el proyecto «Barriadas y movimiento urbano en…