Creation. My artistic practice operates between material painting, photography, object intervention, writing, and intersection with technology. I do not organise it by medium but by programme: each series responds to a specific question regarding matter, gesture, or the system within which the work is inscribed.

I work with plaster, resin, pigment, earth, and found supports, as well as with code and the written word. I regard matter as an active system, not merely a support: it responds, it resists, it fixes time. The work emerges from the friction between intention and resistance, a friction that only time reveals.

Some pieces are analysed within my lines of research. Others operate outside the theoretical framework as autonomous production. The archive section gathers the entirety; the research section critically articulates those that enter the programme.

WORK ARCHIVE