The guides are practical texts for anyone who works with art: how to document an artwork, what to review before signing with a gallery, when an artwork ceases to be protected. They differ from the articles in the Public Notebook in their function. The Notebook analyses and interprets; the guides explain how to do something and which rules, data or documents each step relies on. That is why they are updated when what underpins them changes, and each one shows the date it was last checked.
Verified means that on that date I checked every fact, rule and link against its primary source. Reviewed means that I re-read and updated the text without repeating that full check. When only Updated appears, the date corresponds to the last edit.
The guides offer general information. They do not constitute individualised legal, tax or professional advice: for a specific case, consult a qualified professional.
Total: 145
Featured resource
Master artwork record
An open-format template for keeping a consistent inventory of your work from the studio onwards. The ODS workbook brings together four sheets: master record, restricted data, gallery deposit and key. It includes validations, filters, frozen headers and an example row.
The gallery deposit sheet fills in the title automatically from the inventory number. It is a record of the works delivered, not a contract. Terms of custody, insurance, sale, commission and return must be agreed separately.
The restricted data sheet contains personal, financial and location information. It must not be published, nor shared together with the general record.
The ODS is the main resource. The CSV files let you import the master record, the restricted data and the gallery deposit record separately.
The guides are currently searched and indexed in Spanish.
8 guides
The environmental footprint of a digital artwork: consumption, servers and what can be measured
Cómo delimitar y estimar sin falsa precisión el consumo y las emisiones de una obra digital: sala, servidores, red, dispositivos, fabricación y cadena de bloques.
Verified on 18 October 2026
- digital art
- digital infrastructure
- sustainability
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Artificial intelligence and copyright in Europe: what has been decided in 2026
What the 2019 Directive, the AI Act and the European courts say about training AI on protected works, and what remains unresolved.
Verified on 27 September 2026
- art collecting
- generative AI
- digital infrastructure
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What to do if your digital artwork is on a platform that is closing
How to act in the event of a platform closure: exporting work and metadata, verifying dependencies, preserving evidence and migrating without promising non-existent portability.
Verified on 12 October 2026
- digital art
- conservation
- digital infrastructure
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How to exhibit an artwork that depends on the internet or an API
How to exhibit a work that relies on the internet or an API: dependency mapping, caching, graceful degradation, data, security, costs, and service termination.
Verified on 18 October 2026
- digital art
- conservation
- digital infrastructure
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How to inventory a collection that mixes physical and digital artworks
Cómo registrar en un mismo inventario obras físicas, archivos, software, dispositivos, licencias, ubicaciones y relaciones entre componentes.
Verified on 18 October 2026
- digital art
- conservation
- digital infrastructure
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How to preserve a web-based artwork or net art project
Qué conservar de una obra web: dominio, DNS, código, servidor, base de datos, servicios, interacción, captura y prueba de reproducción, sin confundir captura y obra.
Verified on 18 October 2026
- digital art
- conservation
- digital infrastructure
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Preserving a digital artwork
Qué conservar de una obra digital y cómo ordenarlo: separar archivo fuente, máster y copia de exhibición, organizar carpetas, nombrar y versionar archivos, comprobar la integridad y mantener copias independientes.
Reviewed on 1 October 2026
- artist archive
- artwork documentation
- digital infrastructure
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How OBJKT works: publishing, buying and preserving digital art on Tezos
What happens when a work is tokenised on OBJKT, what the buyer receives, how editions and royalties work and what you need to keep outside the platform.
Reviewed on 27 September 2026
- art collecting
- digital infrastructure
- art market
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Corrections and contributions
If you find an error, outdated information or a better source, please write to me via the contact page. I correct confirmed errors and update the date of the affected guide.